Sound Forge Pro 11 maintains the position of Sony's venerable application at the top table of audio editors. Not a game-changing feature, perhaps, but one that we certainly appreciate in terms of speeding up workflow. If you have Sony's new SpectraLayers Pro 2 (which we'll be reviewing next issue) installed alongside Sound Forge Pro 11, you'll be delighted to hear that you can send files or range selections from one to the other with a click of the mouse. Related to that, the addition of the Commercial Advertisement Loudness Mitigation Act (CALM) metering standard will keep you on the straight and narrow should you find yourself mastering audio for US media.
While peak meters just tell you how much headroom you've got available, the new Momentary, Short, Integrated and Loudness Range meters give insight into the energy of the track and how loudly the mix will be perceived to be.
Sony sound forge 10 professional#
Standard peak metering is a long way short of ideal when it comes to mastering and conforming to professional loudness standards, so it's great to see some proper loudness analysers added to Sound Forge at last, giving better feedback on headroom and use of dynamic range. In addition to the standard metering plugins, Sound Forge Pro 11 brings us a range of all-new Loudness Meters. Yes, at last you can have multiple plugin editors open at once and placed wherever you like onscreen - we have to wonder why it's taken 11 versions for this basic feature to finally appear, but better late than never. The Plugin Chainer has received a minor but welcome improvement in the addition of floating plugin windows, meaning that your plugin interfaces are no longer tied to the Chainer itself. "At last you can have multiple plugin editors open at once and placed wherever you like onscreen" Event mode is a massive selling point for Sound Forge Pro, giving the ability to composite audio together in a manner more reminiscent of a DAW than a traditional wave editor.įor such a powerful feature, it's remarkably easy to use, and with the new locking function you can keep automation, markers and other data tied to events so that they follow them when you move them around. The Event mode, introduced in Sound Forge Pro 10, now enables automatic rippling (ie, shifting along the timeline) of events when moving, cutting, mixing and deleting them. Most of the record options, incidentally, are now accessible through a floating window for faster access than in previous versions. The audio is recorded unprocessed, but you do have the option of applying the effects should you decide to commit to that killer chain. This opens up a range of useful possibilities, such as custom analysis chains, processed monitor feeds for vocalists, and the application of live effects to hear how your recordings will sound when you twist them up later. The monitoring side of things now includes the ability for the input monitor to use the plugin chain. This includes both singles and album cuts.Obviously, the option to extract all your takes as separate files would be good, but if you're looking to do that sort of serious recording, you'd probably be better off using a DAW anyway. In this list, The Boot looks back at Pearce’s Top 10 songs across her three records. On top of that, she is also a Grand Ole Opry member- another lifelong dream come true for the 32-year-old. 1 hits, 1 RIAA-certified Double Platinum single, 1 RIAA Platinum single, and two RIAA Gold singles. Today, Pearce is the reigning CMA Female Vocalist of the Year and ACM Female Artist of the Year with three No. Two years later, SiriusXM's The Highway took a chance on her and played her song “Every Little Thing.” In no time, multiple she was offered recording contracts and ultimately signed with Big Machine Label Group, her label home since. Fortunately for the singer, he was impressed and soon offered her her 2015 Opry debut - a dream come true for the Kentuckian.
While in the early years of her residence in Music City, Pearce decided to send a cold email with her song demo to the Grand Ole Opry’s then Vice President and General Manager, Pete Fisher. After losing a development deal with Sony Music Nashville in 2012, Pearce continued juggling odd jobs while pursuing her dream of singing country music as a career. However, her road to present-day stardom was far from an overnight success. Later, at the age of 19, she mustered the courage to move to Nashville and pursue a full-time singing career.
0 kommentar(er)
